were visitedpamper me to hell and backsorry, that

Although they are fun. Email Print. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. I want to get really good at woodwork and go into the forest and cut up some logs and make you a beautiful house to live in. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision. And it's not. Probably the other way round. Rate this book. Reviews are an initiative from the Poetry School.

But Bird is never those things, in the same way Tennyson is never drily metrical. I listened to her read that poem over and over, crying at the end every time. About the author. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving. MFer Photography. Author 1 book 18 followers. HLB says "i don't know how to write a love poem" in her poem "i am so in love with you i want to lie down in the middle of a major public intersection and cry" but then absolutely decks me with lines about love, such as: when i am with you an enormous silence descends upon me and i feel like i am sinking into the deepest part of my life we walk down the street, with the grass blowing back and forth i have never been so happy "jealousy" also punched me in the face and then immediately made out with me. Subscribe to Blog via Email If you enjoyed reading this review why not subscribe to my blog and get regular book reviews sent to your inbox? Hera Lindsay Bird is God.

Jam & Jerusalem

MFer Photography. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving. Not quite emily berry, but very nice nonetheless! Displaying 1 - 30 of 69 reviews. I have been trying to understand why I love this collection so much and the closest thing I can put my finger on is that Hera Lindsay Bird sees love and absurdity as a continuum. Bookish Bethany. A wonderful, albeit short, collection. I listened to her read that poem over and over, crying at the end every time. Join the discussion. This is a book I will finish over and over again and immediately restart. The imperative to be correct is the great failure of the left Sometimes you just want to wash iceberg lettuce in quiet despair. I am always making speeches, but speeches are a waste of time The only useful speech is one where you enumerate someone's many failures until they burst into tears But if anyone is bursting into tears today it will be me I just want to lie naked on a deckchair, fanning myself with divorce papers from "Speech time".

Review: 'Pamper Me To Hell & Back' by Hera Lindsay Bird • Poetry School

• Absurd and overwhelming, but accurate and revealing - just like love is.
• But Bird is never those things, in the same way Tennyson is never drily metrical.
• Google this.

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision. The grand austere aha! We see the same mockery regarding the abandon of being in love when Bird writes. Look at how ludicrous it is to be serious about any of this , the poem thinks. That is, the ability to make a statement and to both mean it very deeply while simultaneously holding it up as an object of mockery. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving.

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface

Pamper me to hell and back. Review: ‘Pamper Me To Hell & Back’ by Hera Lindsay Bird

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, pamper me to hell and back, and I must admit to being put-off initially by the more explicit and provocative lines, pamper me to hell and back. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, there is something unique and a little bit addictive in these poems. Other poems seem to be anti-love poems. There pamper me to hell and back some more straightforward love poems too. I want to get really good at woodwork and go into the forest and cut up some logs and make you a beautiful house to live in. I enjoyed reading the last three poems, which have a more serious undertone, whilst still being light-hearted and full of humour. I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. Buy this book from Waterstones. If you enjoyed reading this review why not subscribe to my blog and get regular book reviews sent to your inbox?

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If I priced per page, this very slim volume is the most expensive book I have ever bought! Bookish Bethany. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse.

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